green_grass
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回家去看了一些个国产电影，从2046到天下无贼，发觉都不喜欢，我。。。完了。
精华 看完《天下无贼》之随笔
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oread
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Now I finally wathced 《天下无贼》, and it is better than I had initially expected, but not that much. The story was weak, and the characters were even weaker. I was feeling much more like simply watching a show, rather than feeling as part of the show. Some conversations were funny, but again, not that humourous, there was a difference. My fast-food analogy still stands.
What touched me most (and actually a little bit surprised, but perhaps shouldn't be) was 冯小刚's choice of ending for this movie: to let Root believe that there is no thieves in this world, after watching what happened throughout the train ride. Alright perhaps it's furthest away from the reality, but I am an idealist, so it still touched me, and Andy Lau certainly helped as well.
One scene made quite an impression on me: Andy Lau asked Rene Lau: "How could Root live so innocently? How could he be this stupid? Shouldn't he learn the facts of life?" Apparently the director was trying to approach a more profound social issue. He raised the question, but failed to answer it with honesty, thus made this movie in lack of depth.
Andy Lau's performance was much better than I had anticipated, but Rene Lau disappointed me a little bit. However in all honesty, Rene's character wasn't given a real chance to develop anyway, but I knew what she could be (a great actress to say the least), so she disappointed me a little bit. Her ending scene was exaggerated, I feel. If she ate those pancakes seriously, slowly and without the mess on her mouth and without tears, I'd be much more touched. However this demonstrated the director's level of intellectual ability: he's not there yet.
Some funny quotes include:
“人心散了，队伍不好带啊。”
“我本将心向明月，奈何明月照沟渠。知我者谓我心忧，不知我者谓我何求。”
“21世纪什么最贵？人才！”
“我又不是成龙，有一百条命。”
“这次出来一是锻炼队伍，二是考察新人，在这里我特别要表扬两个同志，小叶和四眼。他们不仅超越了自己，也超越了前辈。”
What touched me most (and actually a little bit surprised, but perhaps shouldn't be) was 冯小刚's choice of ending for this movie: to let Root believe that there is no thieves in this world, after watching what happened throughout the train ride. Alright perhaps it's furthest away from the reality, but I am an idealist, so it still touched me, and Andy Lau certainly helped as well.
One scene made quite an impression on me: Andy Lau asked Rene Lau: "How could Root live so innocently? How could he be this stupid? Shouldn't he learn the facts of life?" Apparently the director was trying to approach a more profound social issue. He raised the question, but failed to answer it with honesty, thus made this movie in lack of depth.
Andy Lau's performance was much better than I had anticipated, but Rene Lau disappointed me a little bit. However in all honesty, Rene's character wasn't given a real chance to develop anyway, but I knew what she could be (a great actress to say the least), so she disappointed me a little bit. Her ending scene was exaggerated, I feel. If she ate those pancakes seriously, slowly and without the mess on her mouth and without tears, I'd be much more touched. However this demonstrated the director's level of intellectual ability: he's not there yet.
Some funny quotes include:
“人心散了，队伍不好带啊。”
“我本将心向明月，奈何明月照沟渠。知我者谓我心忧，不知我者谓我何求。”
“21世纪什么最贵？人才！”
“我又不是成龙，有一百条命。”
“这次出来一是锻炼队伍，二是考察新人，在这里我特别要表扬两个同志，小叶和四眼。他们不仅超越了自己，也超越了前辈。”
刚看冯导片子时, 钦佩他的幽默感和片子里表现的平民百姓的那种乐观的精神. 甲方乙方是顽主的继续,一声叹息表现的是当前很多家庭面临的危机,"手机"视角独特,还有点黑色幽默的味道.
可后来感觉有点不对, 每部片子都是老一套班子, 老一套耍贫嘴, 而且越来越贫,越来越拿腔作调,有时候简直就是胡抡了. 尤其是"大腕"简直就是恶俗得让我头皮发麻, 浑身冒汗. 在他的片子里, 情节已经不重要了, 甚至可以胡编乱造, 但一定要让观众笑, 就如同象春节晚会的小品.
而且现在再看他的片子时, 有种感觉就是有点"这小子在把观众当猴耍"的感觉, 有点象顽主里的3T公司的那几个毛头小子, 搞不清他们是在帮助客户呢, 还是在玩弄修理客户.
可后来感觉有点不对, 每部片子都是老一套班子, 老一套耍贫嘴, 而且越来越贫,越来越拿腔作调,有时候简直就是胡抡了. 尤其是"大腕"简直就是恶俗得让我头皮发麻, 浑身冒汗. 在他的片子里, 情节已经不重要了, 甚至可以胡编乱造, 但一定要让观众笑, 就如同象春节晚会的小品.
而且现在再看他的片子时, 有种感觉就是有点"这小子在把观众当猴耍"的感觉, 有点象顽主里的3T公司的那几个毛头小子, 搞不清他们是在帮助客户呢, 还是在玩弄修理客户.
香颂是法文chanson (歌曲)的直译(可能是港台的译法), 所以chanson = song.
左岸Rive Gauche (Left Bank),指的是巴黎塞纳河(La Seine)的南岸地区, 相对于右岸Rive Droite (Right Bank) 即塞纳河的北岸的宫殿,历史建筑和贵族聚居区, 左岸是文化界, 艺术界和知识界的天堂, 近现代的思潮, 艺术流派, 时尚在左岸风起云涌, 文学家, 艺术家, 音乐家, 思想家, 知识分子,大学教授等等各名家和他们的学生和拥戴者们在此地居住, 并常常聚会于著名的左岸咖啡馆. 左岸的拉丁区(Latin Quartier)也是巴黎的大学区, 乃高知云集之地.
所以左岸代表的是现代巴黎前卫的时尚, 文化和
城市脉搏.
最初由 渐渐 发布
hehe, I actually think that 冯's best work is "大腕"...no pretenses, no hypocratic depth, only naked truth, a "pure movie" in my dictionary.
很遗憾, 我还是最不喜欢他的这部片子. 就觉得<<一声叹息>>还不错.
先戴好钢盔,别砸我!
他意图影射和嘲弄很多的当代中国的社会现象, 但表现手法有点过火了, 尤其是故事情节太随心所欲,电影毕竟不是相声和小品, 要靠夸张的语言和表演来烘托气氛. 而且他的片子近来商业化趋势越来越强, 让俺感到好象他自己就是应该是他在影片里要嘲弄的对象.
我亦有亭
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熬更守夜看完了天下无贼，感觉一般般。一句话评价：是有中国特色的企图与好莱坞接轨的片子。
特技与小偷手法神乎其神，那是为了赚票房，引人气的美式风格;最后的结果让警察哥哥现身说法，坐收渔利，刘德华死不瞑目，又是为了宣扬邪不胜正的传统理念，同时还要宣传中国公安的厉害，那是典型的中国特色。
相比之下，甲方乙方，一声叹息，手机更好一些。而且看一声叹息和手机的时候，感觉很多的情节就是身边一些人的生活细节，并不夸张。国内人的生活，很多时候本就是人为地把简单的事情复杂化，然后闹哄哄地随波逐流。
个人比较喜欢英雄，虽然很多人把它贬得一钱不值
特技与小偷手法神乎其神，那是为了赚票房，引人气的美式风格;最后的结果让警察哥哥现身说法，坐收渔利，刘德华死不瞑目，又是为了宣扬邪不胜正的传统理念，同时还要宣传中国公安的厉害，那是典型的中国特色。
相比之下，甲方乙方，一声叹息，手机更好一些。而且看一声叹息和手机的时候，感觉很多的情节就是身边一些人的生活细节，并不夸张。国内人的生活，很多时候本就是人为地把简单的事情复杂化，然后闹哄哄地随波逐流。
个人比较喜欢英雄，虽然很多人把它贬得一钱不值
green_grass
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分析绝对正确，结尾看得我想笑，所以我把这部电影称为《天下乌贼》。
可能我不是北方人的缘故，一向不喜欢耍贫嘴，或太过夸张的表演，看《甲方乙方》觉得不错，再看多了就没什么好感了。
