精华 天籁之声悠悠处，大珠小珠玉盘住
- 主题发起人 青草地
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试想，人生在世，天地混沌，人如蝼蚁，终日衣食温饱，东边日出，西边日落，劳作不止，如果没有音乐这种东西时常陪伴，会是个什么情形？地狱吧？
感谢音乐给人类带来的抚慰、解救与寄托。常常感觉音乐就是雪中炭火，沙中甘泉，无论迷失、无论焦躁、无论忧伤、无论失落，亦或兴奋、亦或成就、亦或喜庆、亦或开怀，等等等等情形，尽管选一首合适的音乐来听，必有安抚治病或溶合情绪的功效。Thank God！
回头来说这首“后古典”曲子吧。第一次听到，就一个字“呆”了。这个制作的确很出彩，很有一股以今思古，反古咏今的震撼，音节的跨度高低起伏，相当别致惊心，画和面设计典雅自然，歌手哈辉的化妆更是清纯古朴，自然天成的中国美女，干净的让人舍不得碰。 呆过，再看，再听，还是呆。
自己欣赏吧。
[media]http://www.youtube.com/watch?v=IyKWEjK-b_k[/media]
ZT：
多年前，唐朝乐队所引领的中国古典重金属乐曾经风靡亚洲。今天，中国 后古典流行乐第一人哈辉，携破茧之作《关雎》MV与您见面。
《关雎》是《诗经•国风》开篇，同时也是《诗经•国风》最为著名的。 其中的名句"窈窕淑女，君子好逑"风靡至今。再配以国内音乐大师林海的非常规、不规则 五拍子的大胆流行音乐编配，让一首2500年前的《关雎》惊现于世人，让听后之人大为 震惊。
该 MV古代与现代的画面穿插，场景交错，让人防佛置身时空隧道。哈辉在《关雎》MV中 将一位取古典文学之精华，择当代音乐元素之精髓，并将两者完美结合的艺术工匠表现的淋 漓尽致。迄今为止，这首歌是中国向世界传播文化的最典型的代表作品。原来掩映在湖光山 色之间的，不仅有一种左耳西方右耳东方的听觉享受，更有一种向上追溯的心绪..... .
《关雎》
词：诗经•周南（周）
曲/编曲：林海
钢琴/电钢琴/古钢琴：林海
电吉他：张亚东
弦乐：亚洲爱乐乐团
唢呐：牛建党
三弦：程家鹏
混音：郭巍（台湾）
MV录影带导演：何明圣
形体指导：阿Ken (香港)
造型：壮志（东田造型）
《关雎》
选自《诗经•周南》
关关雎鸠，在河之洲。
窈窕淑女，君子好逑。
参差荇菜，左右流之。
窈窕淑女，寤寐求之。
求之不得，寤寐思服。
悠哉悠哉，辗转反侧。
参差荇菜，左右采之。
窈窕淑女，琴瑟友之。
参差荇菜，左右芼之。
窈窕淑女，钟鼓乐之。
感谢音乐给人类带来的抚慰、解救与寄托。常常感觉音乐就是雪中炭火，沙中甘泉，无论迷失、无论焦躁、无论忧伤、无论失落，亦或兴奋、亦或成就、亦或喜庆、亦或开怀，等等等等情形，尽管选一首合适的音乐来听，必有安抚治病或溶合情绪的功效。Thank God！
回头来说这首“后古典”曲子吧。第一次听到，就一个字“呆”了。这个制作的确很出彩，很有一股以今思古，反古咏今的震撼，音节的跨度高低起伏，相当别致惊心，画和面设计典雅自然，歌手哈辉的化妆更是清纯古朴，自然天成的中国美女，干净的让人舍不得碰。 呆过，再看，再听，还是呆。
自己欣赏吧。
[media]http://www.youtube.com/watch?v=IyKWEjK-b_k[/media]
ZT：
多年前，唐朝乐队所引领的中国古典重金属乐曾经风靡亚洲。今天，中国 后古典流行乐第一人哈辉，携破茧之作《关雎》MV与您见面。
《关雎》是《诗经•国风》开篇，同时也是《诗经•国风》最为著名的。 其中的名句"窈窕淑女，君子好逑"风靡至今。再配以国内音乐大师林海的非常规、不规则 五拍子的大胆流行音乐编配，让一首2500年前的《关雎》惊现于世人，让听后之人大为 震惊。
该 MV古代与现代的画面穿插，场景交错，让人防佛置身时空隧道。哈辉在《关雎》MV中 将一位取古典文学之精华，择当代音乐元素之精髓，并将两者完美结合的艺术工匠表现的淋 漓尽致。迄今为止，这首歌是中国向世界传播文化的最典型的代表作品。原来掩映在湖光山 色之间的，不仅有一种左耳西方右耳东方的听觉享受，更有一种向上追溯的心绪..... .
《关雎》
词：诗经•周南（周）
曲/编曲：林海
钢琴/电钢琴/古钢琴：林海
电吉他：张亚东
弦乐：亚洲爱乐乐团
唢呐：牛建党
三弦：程家鹏
混音：郭巍（台湾）
MV录影带导演：何明圣
形体指导：阿Ken (香港)
造型：壮志（东田造型）
《关雎》
选自《诗经•周南》
关关雎鸠，在河之洲。
窈窕淑女，君子好逑。
参差荇菜，左右流之。
窈窕淑女，寤寐求之。
求之不得，寤寐思服。
悠哉悠哉，辗转反侧。
参差荇菜，左右采之。
窈窕淑女，琴瑟友之。
参差荇菜，左右芼之。
窈窕淑女，钟鼓乐之。
No comments for a long time.
The movie is elegant.
I read this poem first time when I was in high school. If my memory is right, it is at one of first 5 poems in 诗经 because I read very few ones in 诗经.
It is not my favourite. It could be because of too strong 小资情调. I prefer 唐宋诗词.
The movie is elegant.
I read this poem first time when I was in high school. If my memory is right, it is at one of first 5 poems in 诗经 because I read very few ones in 诗经.
It is not my favourite. It could be because of too strong 小资情调. I prefer 唐宋诗词.
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。
谢谢你喜欢。其实这种“后古典”的名堂都是新鲜事物，之所以使我发呆，新奇的创意是一条主要原因。说到唐诗宋词，谱成歌曲的有不少，年轻时酷爱听唱的就有若干首，那时唱邓丽君可以以假乱真。 苦于记性不好，背不住几首词，一但变成歌儿，倒容易记了。
翻了一些出来与大家分享。这些歌儿大多缠绵委婉，千般柔情，万种风雅，在古诗词精炼而富含深意的语句里伴着优美的嗓音流淌，时常是可以醉了人，迷了意，化了心的。
这几首是邓丽君演唱的
李煜 虞美人
[ame="http://www.youtube.com/watch?v=zatZabls-Tk"]YouTube - 鄧麗君-幾多愁 ( 虞美人) テレサ・テン[/ame]
李煜 胭脂泪
[ame="http://www.youtube.com/watch?v=wFVGTo6kiLk&feature=related"]YouTube - 胭 脂 泪 - Rouged Tears[/ame]
范仲淹 苏幕遮
[ame="http://www.youtube.com/watch?v=9N_0f6lEl7Y&feature=related"]YouTube - 芳草無情鄧麗君 Teresa Teng テレサ・テン[/ame]
李煜 相见欢
[ame="http://www.youtube.com/watch?v=r_JjM83WbHA"]YouTube - 鄧麗君 獨上西樓.rm[/ame]
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王菲，苏轼的水调歌头
[ame=http://www.youtube.com/watch?v=xFFGTDEbFvk&feature=related]YouTube - 王菲-但願人長久[/ame]
评弹，毛泽东的蝶恋花-答李淑一
[ame=http://www.youtube.com/watch?v=2NJ3AJ_CRYg]YouTube - 【每日歌曲】 蝶恋花 （吴语） Butterfly in love with Flower Blossoms / 雅芬 / 720HD MV[/ame]
岳飞的满江红
[ame=http://www.youtube.com/watch?v=gIQ2JxF_Kis&feature=related]YouTube - 满江红 by 晓辉(Howard)[/ame]
红楼梦，曹雪芹，红豆词
[ame=http://www.youtube.com/watch?v=-MYGjzP9g9c&feature=related]YouTube - 红豆词/佚名[/ame]
红楼梦，曹雪芹，葬花吟
[ame=http://www.youtube.com/watch?v=qMHDzT-OpjY&feature=related]YouTube - 葬花吟/佚名[/ame]
[ame=http://www.youtube.com/watch?v=xFFGTDEbFvk&feature=related]YouTube - 王菲-但願人長久[/ame]
评弹，毛泽东的蝶恋花-答李淑一
[ame=http://www.youtube.com/watch?v=2NJ3AJ_CRYg]YouTube - 【每日歌曲】 蝶恋花 （吴语） Butterfly in love with Flower Blossoms / 雅芬 / 720HD MV[/ame]
岳飞的满江红
[ame=http://www.youtube.com/watch?v=gIQ2JxF_Kis&feature=related]YouTube - 满江红 by 晓辉(Howard)[/ame]
红楼梦，曹雪芹，红豆词
[ame=http://www.youtube.com/watch?v=-MYGjzP9g9c&feature=related]YouTube - 红豆词/佚名[/ame]
红楼梦，曹雪芹，葬花吟
[ame=http://www.youtube.com/watch?v=qMHDzT-OpjY&feature=related]YouTube - 葬花吟/佚名[/ame]
I very like 麦当娜唱的Don't cry for me, Argentina. I bought a video cassette of Evita where the song is theme becasue of the song.多谢你楼上支持。
老早收藏过这个中国歌手张靓颖的演唱，音域很广，唱得相当好，贴出这首我喜欢的。前面贴过麦当娜唱的这首Don't cry for me, Argentina。
YouTube - Don't Cry For Me, Argentina - Jane Zhang (Zhang LiangYing)
I never knew 张靓颖 before. I agree with you completely. 她唱得相当好，可与麦当娜一比. Thank you for your link.
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:thanks:
今天贴一首卡拉扬指挥的交响乐吧。
热爱音乐的人不会不知道20世纪最著名的指挥家卡拉扬，他被称作音乐帝王，指挥过很多国际顶尖级的乐团，比如德国爱乐乐团。看他指挥本身已经构成一种享受，加上交响乐本身的魅力，听觉和视觉达到触摸心扉的统一美感境界，非常令人沉醉。这是著名的贝多芬第五交响乐的第三部分和第四的一部分，没时间听的可以从5分钟那里开始听，到8分40秒处，是我最喜欢的一段气势宏伟的和奏，包括提琴合奏和管乐器和奏，使人勇敢坚定、令人热血沸腾。
卡拉扬：“Herbert von Karajan (5 April 1908–16 July 1989) was an Austrian orchestra and opera conductor, one of the most renowned 20th-century conductors. His obituary in The New York Times described him as "probably the world's best-known conductor and one of the most powerful figures in classical music." Karajan conducted the Berlin Philharmonic for thirty-five years. He is the top-selling classical music recording artist of all time, with record sales estimated at 200 million.”
贝多芬第五交响乐：
“Symphony No. 5 in C minor, Op. 67, was written by Ludwig van Beethoven in 1804–08. This symphony is one of the most popular and well-known compositions in all of European classical music, and one of the most often played symphonies.[1] It comprises four movements: an opening sonata allegro, an andante, and a fast scherzo which leads attacca to the finale. First performed in Vienna's Theater an der Wien in 1808, the work achieved its prodigious reputation soon afterwards. E.T.A. Hoffmann described the symphony as "one of the most important works of the time". It begins by stating a distinctive four-note "short-short-short-long" motif twice: (
listen (help·info))
The symphony, and the four-note opening motif in particular, are well known worldwide, with the motif appearing frequently in popular culture, from disco to rock and roll, to appearances in film and television. During World War II, the BBC used the four-note motif to introduce its radio news broadcasts because its rhythm is the Morse code letter "V" (· · · —, "victory").”
[media]http://www.youtube.com/watch?v=xeNT9PSXYxo&feature=related[/media]
今天贴一首卡拉扬指挥的交响乐吧。
热爱音乐的人不会不知道20世纪最著名的指挥家卡拉扬，他被称作音乐帝王，指挥过很多国际顶尖级的乐团，比如德国爱乐乐团。看他指挥本身已经构成一种享受，加上交响乐本身的魅力，听觉和视觉达到触摸心扉的统一美感境界，非常令人沉醉。这是著名的贝多芬第五交响乐的第三部分和第四的一部分，没时间听的可以从5分钟那里开始听，到8分40秒处，是我最喜欢的一段气势宏伟的和奏，包括提琴合奏和管乐器和奏，使人勇敢坚定、令人热血沸腾。
卡拉扬：“Herbert von Karajan (5 April 1908–16 July 1989) was an Austrian orchestra and opera conductor, one of the most renowned 20th-century conductors. His obituary in The New York Times described him as "probably the world's best-known conductor and one of the most powerful figures in classical music." Karajan conducted the Berlin Philharmonic for thirty-five years. He is the top-selling classical music recording artist of all time, with record sales estimated at 200 million.”
贝多芬第五交响乐：
“Symphony No. 5 in C minor, Op. 67, was written by Ludwig van Beethoven in 1804–08. This symphony is one of the most popular and well-known compositions in all of European classical music, and one of the most often played symphonies.[1] It comprises four movements: an opening sonata allegro, an andante, and a fast scherzo which leads attacca to the finale. First performed in Vienna's Theater an der Wien in 1808, the work achieved its prodigious reputation soon afterwards. E.T.A. Hoffmann described the symphony as "one of the most important works of the time". It begins by stating a distinctive four-note "short-short-short-long" motif twice: (
listen (help·info))
The symphony, and the four-note opening motif in particular, are well known worldwide, with the motif appearing frequently in popular culture, from disco to rock and roll, to appearances in film and television. During World War II, the BBC used the four-note motif to introduce its radio news broadcasts because its rhythm is the Morse code letter "V" (· · · —, "victory").”[media]http://www.youtube.com/watch?v=xeNT9PSXYxo&feature=related[/media]
卡拉扬 is one of a few famous conductors I know. He was very famous in 1980s in China. I like his works as well.
I post a music, Theme from a summer place, theme for a movie. It is a very beautiful music, absolutely classic. I love it very much since I heard it first time at university many years ago.
It is Percy Faith & His Orchestra's version，excellent.
[ame="http://www.youtube.com/watch?v=ykpbKOnN93w"]YouTube - theme from a summer place[/ame]
I post a music, Theme from a summer place, theme for a movie. It is a very beautiful music, absolutely classic. I love it very much since I heard it first time at university many years ago.
It is Percy Faith & His Orchestra's version，excellent.
[ame="http://www.youtube.com/watch?v=ykpbKOnN93w"]YouTube - theme from a summer place[/ame]
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这首老歌，是我很多年前就喜爱的一首西方歌曲，那时就会跟着唱“玩大了力了”， 有时朋友推我在众人面前表演，胡乱模仿着唱，也不知唱的什么，能赢得很多掌声。很好笑的记忆。现在听起来，还是很亲切很舞感很好听。
这位Helmut lotti也该算个天才了，能用十五种以上的语言歌唱，能流利说七八种语言，眉清目秀，名气冲天。
“Helmut Lotti (born Helmut Lotigiers on October 22, 1969 in Ghent, Belgium) is a Belgian popular singer and songwriter. The son of Luc Lotigiers and Rita Lagrou, he began his singing career with a visual and singing style in an obvious imitation of Elvis Presley, and was described as "De Nieuwe Elvis" (in Dutch) or "The New Elvis". His first two albums were Vlaamse Nachten ("Flemish Nights", 1990) and Alles Wat Ik Voel ("All That I Feel", 1992). After a few more albums, he changed direction in 1995 with the first of what became a long series of "Helmut Lotti Goes Classic" albums, which proved to increase his popularity. Since 2000 he has also made successful recordings in traditional Latino, African and Russian-style music.
Helmut Lotti sings fluently in Dutch and Afrikaans, English, French, German, Russian, Hebrew, Italian, Latin, and Spanish. He has sold over 13 million albums worldwide and received over 90 platinum and 70 gold albums.
He does volunteer work as an ambassador for UNICEF. Lotti has vowed to take part in the 0110 concerts against racism and the extreme right, organised by Tom Barman.”
[media]http://www.youtube.com/watch?v=uB0VSOrNhJ8&NR=1[/media]
这位Helmut lotti也该算个天才了，能用十五种以上的语言歌唱，能流利说七八种语言，眉清目秀，名气冲天。
“Helmut Lotti (born Helmut Lotigiers on October 22, 1969 in Ghent, Belgium) is a Belgian popular singer and songwriter. The son of Luc Lotigiers and Rita Lagrou, he began his singing career with a visual and singing style in an obvious imitation of Elvis Presley, and was described as "De Nieuwe Elvis" (in Dutch) or "The New Elvis". His first two albums were Vlaamse Nachten ("Flemish Nights", 1990) and Alles Wat Ik Voel ("All That I Feel", 1992). After a few more albums, he changed direction in 1995 with the first of what became a long series of "Helmut Lotti Goes Classic" albums, which proved to increase his popularity. Since 2000 he has also made successful recordings in traditional Latino, African and Russian-style music.
Helmut Lotti sings fluently in Dutch and Afrikaans, English, French, German, Russian, Hebrew, Italian, Latin, and Spanish. He has sold over 13 million albums worldwide and received over 90 platinum and 70 gold albums.
He does volunteer work as an ambassador for UNICEF. Lotti has vowed to take part in the 0110 concerts against racism and the extreme right, organised by Tom Barman.”
[media]http://www.youtube.com/watch?v=uB0VSOrNhJ8&NR=1[/media]
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今天贴几首儿时特别喜欢的外国电影歌曲吧。相信这些是很多与我同龄的人都十分熟悉又喜爱的音乐。
印度电影《流浪者》里的“拉兹之歌”到现在还能记得几句，”阿巴拉古，阿伽拉济许妹，阿斯玛呢，阿扎拉古......“,印度朋友听了我的唱段很兴奋很惊讶，说发音基本正确，能听懂一点儿。儿时的记忆的确难忘，感慨之余，窃喜。
[media]http://www.youtube.com/watch?v=MRKc7Q_j8x4[/media]日本《追捕》主题曲“拉呀拉..."当时可能没人不知道，一种多么新鲜又激动的情续被引进当时封闭了多年的社会，的确可以说那部电影和这首主题乐曲影响了那个时代。现在听起来还是令人浮想联翩。我当时被院子里的大人称作”小杜丘“，到现在也没想出为什么，那么文弱羞怯安静的一个小丫头片子，仅仅因为姓杜？
[ame="http://www.youtube.com/watch?v=E-1JEI36XWQ"]YouTube - 《渡过愤怒的河》--日本电影《追捕》主题曲精彩MV[/ame]
日本电影《人证》里的”草帽歌“一直是自己非常喜欢的歌儿，每听每唱必有要落泪的感觉，当年学吉他，半途而废，只会”桑塔露琪亚“和”草帽歌“。这样的歌儿是有生命有感情有思想会成长的歌儿，随着年龄的增长，听来唱来，感觉也会随阅历而不同。
[media]http://www.youtube.com/watch?v=fXu_hZWIGVY&feature=related[/media]德国电影《英俊少年》里的”两颗小星星“和”小小少年“，都是当年很爱唱的歌儿，陈琳唱的中文版是当时最响的一个版本。
[media]http://www.youtube.com/watch?v=bjbdrJngKFA&feature=PlayList&p=E0502258F0D17464&playnext=1&playnext_from=PL&index=4[/media][media]http://www.youtube.com/watch?v=3zm3ywPGZSA[/media]
朝鲜电影《卖花姑娘》这部电影不知赚了多少人的眼泪，记得那时也没什么电影可看，就一遍又一遍地看，看一次哭一次，哭完还看，还哭。当时是唱中文的译文，”卖花来呀，卖花来呀....“
[media]http://www.youtube.com/watch?v=spagNCaL_no[/media]
南斯拉夫电影《桥》主题曲。”啊朋友，再见吧，再见吧，再见吧....“被唱遍大江南北
[media]http://www.youtube.com/watch?v=YAboGBYGegk&NR=1[/media]
好了，贴累了，就此打住，慢慢听。
印度电影《流浪者》里的“拉兹之歌”到现在还能记得几句，”阿巴拉古，阿伽拉济许妹，阿斯玛呢，阿扎拉古......“,印度朋友听了我的唱段很兴奋很惊讶，说发音基本正确，能听懂一点儿。儿时的记忆的确难忘，感慨之余，窃喜。
[media]http://www.youtube.com/watch?v=MRKc7Q_j8x4[/media]日本《追捕》主题曲“拉呀拉..."当时可能没人不知道，一种多么新鲜又激动的情续被引进当时封闭了多年的社会，的确可以说那部电影和这首主题乐曲影响了那个时代。现在听起来还是令人浮想联翩。我当时被院子里的大人称作”小杜丘“，到现在也没想出为什么，那么文弱羞怯安静的一个小丫头片子，仅仅因为姓杜？
[ame="http://www.youtube.com/watch?v=E-1JEI36XWQ"]YouTube - 《渡过愤怒的河》--日本电影《追捕》主题曲精彩MV[/ame]
日本电影《人证》里的”草帽歌“一直是自己非常喜欢的歌儿，每听每唱必有要落泪的感觉，当年学吉他，半途而废，只会”桑塔露琪亚“和”草帽歌“。这样的歌儿是有生命有感情有思想会成长的歌儿，随着年龄的增长，听来唱来，感觉也会随阅历而不同。
[media]http://www.youtube.com/watch?v=fXu_hZWIGVY&feature=related[/media]德国电影《英俊少年》里的”两颗小星星“和”小小少年“，都是当年很爱唱的歌儿，陈琳唱的中文版是当时最响的一个版本。
[media]http://www.youtube.com/watch?v=bjbdrJngKFA&feature=PlayList&p=E0502258F0D17464&playnext=1&playnext_from=PL&index=4[/media][media]http://www.youtube.com/watch?v=3zm3ywPGZSA[/media]
朝鲜电影《卖花姑娘》这部电影不知赚了多少人的眼泪，记得那时也没什么电影可看，就一遍又一遍地看，看一次哭一次，哭完还看，还哭。当时是唱中文的译文，”卖花来呀，卖花来呀....“
[media]http://www.youtube.com/watch?v=spagNCaL_no[/media]
南斯拉夫电影《桥》主题曲。”啊朋友，再见吧，再见吧，再见吧....“被唱遍大江南北
[media]http://www.youtube.com/watch?v=YAboGBYGegk&NR=1[/media]
好了，贴累了，就此打住，慢慢听
。
