作为近年来DG的巅峰之作，无论从剪裁做工，还是价格，都堪称一代经典，每一件作品都能称得上收藏品
喜欢拿破仑宫廷风的朋友可以好好行赏一下这一季。
先从女装开始。
Stefano Gabbana and Domenico Dolce are advancing into fall with Napoleonic zeal—literally. At the start of their show, a tableau of hussars and Empire beauties rose into view on a revolving plinth, arranged around a ceremonial black monolith emblazoned with the Emperor's laurels. The Napoleonic codebook gave them all the historical ammunition they needed to cut a swath through current themes: the play between masculine and feminine; the baroque flourishes; the rich velvets and antique golds; the swaggering capes and high-collar shirts. Naturally, they also had carte blanche to do things with raised-waist dresses, the Empire line pioneered by Josephine herself.
Military tailcoats, cut in shearling, along with tight knickers and jodhpurs with high riding boots marched out, followed by legions of coats in brown and beige, all detailed with gold buttons or leather straps and brass hardware transplanted from saddlery. These designers have always loved a baby-doll, and this season's are their most sumptuous yet—lovely little puff-sleeve things in eau de nil, emerald, and vibrant red velvet or old-gold brocade. Streaks of silver paint glinted in the gathers of one; others had bands of gold-thread military embroidery circling bosoms; yet another was held up with an imperial-medal chain.
喜欢拿破仑宫廷风的朋友可以好好行赏一下这一季。
先从女装开始。
Stefano Gabbana and Domenico Dolce are advancing into fall with Napoleonic zeal—literally. At the start of their show, a tableau of hussars and Empire beauties rose into view on a revolving plinth, arranged around a ceremonial black monolith emblazoned with the Emperor's laurels. The Napoleonic codebook gave them all the historical ammunition they needed to cut a swath through current themes: the play between masculine and feminine; the baroque flourishes; the rich velvets and antique golds; the swaggering capes and high-collar shirts. Naturally, they also had carte blanche to do things with raised-waist dresses, the Empire line pioneered by Josephine herself.
Military tailcoats, cut in shearling, along with tight knickers and jodhpurs with high riding boots marched out, followed by legions of coats in brown and beige, all detailed with gold buttons or leather straps and brass hardware transplanted from saddlery. These designers have always loved a baby-doll, and this season's are their most sumptuous yet—lovely little puff-sleeve things in eau de nil, emerald, and vibrant red velvet or old-gold brocade. Streaks of silver paint glinted in the gathers of one; others had bands of gold-thread military embroidery circling bosoms; yet another was held up with an imperial-medal chain.
