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最近天灾人祸不断，凶兆频传，又快到2012，CFC上又有人储备食物，药品， 颇有末日临近的感觉。
《The Road》是美国著名作家Cormac McCarthy 的小说，2007获普利策奖并受到了奥普拉书会的推荐。 小说在2009年还被拍成同名电影（中文译名《路》《末日危途》）。
小说下载地址：
http://thepiratebay.org/torrent/6138278/Cormac_McCarthy_-_The_Road_[PDF]
电影下载地址：
http://thepiratebay.org/torrent/5431747/The_Road_(2009)_DVDRip_XviD-MAX
小说介绍：
Best known for his Border Trilogy, hailed in the San Francisco Chronicle as "an American classic to stand with the finest literary achievements of the century," Cormac McCarthy has written ten rich and often brutal novels, including last year's bestselling No 1 Country for Old Men, and this year's The Road.
Profoundly dark, told in spare, searing prose, The Road is a post-apocalyptic masterpiece, one of the best books we've read this year, but in case you need a second (and expert) opinion, we asked Dennis Lehane, author of equally rich, occasionally bleak and brutal novels, to read it and give us his take. Read his glowing review below. --Daphne Durham
Guest Reviewer: Dennis Lehane
Cormac McCarthy sets his new novel, The Road, in a post-apocalyptic blight of gray skies that drizzle ash, a world in which all matter of wildlife is extinct, starvation is not only prevalent but nearly all-encompassing, and marauding bands of cannibals roam the environment with pieces of human flesh stuck between their teeth. If this sounds oppressive and dispiriting, it is. McCarthy may have just set to paper the definitive vision of the world after nuclear war, and in this recent age of relentless saber-rattling by the global powers, it's not much of a leap to feel his vision could be not far off the mark nor, sadly, right around the corner. Stealing across this horrific (and that's the only word for it) landscape are an unnamed man and his emaciated son, a boy probably around the age of ten. It is the love the father feels for his son, a love as deep and acute as his grief, that could surprise readers of McCarthy's previous work. McCarthy's Gnostic impressions of mankind have left very little place for love. In fact that greatest love affair in any of his novels, I would argue, occurs between the Billy Parham and the wolf in The Crossing. But here the love of a desperate father for his sickly son transcends all else. McCarthy has always written about the battle between light and darkness; the darkness usually comprises 99.9% of the world, while any illumination is the weak shaft thrown by a penlight running low on batteries. In The Road, those batteries are almost out--the entire world is, quite literally, dying--so the final affirmation of hope in the novel's closing pages is all the more shocking and maybe all the more enduring as the boy takes all of his father's (and McCarthy's) rage at the hopeless folly of man and lays it down, lifting up, in its place, the oddest of all things: faith. --Dennis Lehane
电影介绍：
《路》讲述了一个发生在人类文明大毁灭后的寓言故事，幸存下来的一对父子穿过寒冷的城市废墟、荒无人烟的沙漠不断向南行走，希望到达温暖的海边，寻找到活下去的可能。寒冷、饥饿侵袭着他们，还有吃人的人。孩子的母亲不堪绝望，选择了自杀。不愿放弃的父亲，带着幼小的儿子，带着还没变质的罐头、油布以及只剩一颗子弹的手枪(父亲告诫儿子不能轻易使用子弹，如果遇到了危险就用仅存的一发子弹自杀)，向南方跋涉。一路上，父亲总是警惕避开可能有人的足迹，而幼年的儿子却常常寄望能遇上和他们一样的好人。父子俩终于到了期望中的海边，然而依然看不到任何生的希望。停留数日后，正准备继续前行父亲因为咳嗽严重加上腿部受伤，终于倒下。儿子带着父亲的遗言以及那把手枪，独自前行。最终被一个好人家庭收留，男孩被女主人搂在怀中。文学里女性是救赎者的意象，这个镜头，寓意着人类在此刻终于见到了生的希望。
1）The Man: Everything depends on reaching the coast. I told you I would do whatever it takes. 所有的一切都要等到我们到达海边后再做定夺，我一定要这么做。
Wife: Like what? Like what? 那又怎么样？有意义么？
2）The Boy: Are we gonna die? 我们会死么？
The Man: We are not gonna quit. We are gonna survive this. 我们不会放弃的，我们会活下来。
上面两段对话节选自在美国公映的冲奥影片The Road 《路》。三个人，四句话，便可感知本片架构以及内涵的厚重。
http://3us.enghunan.gov.cn/viewthread.php?tid=7526
《The Road》是美国著名作家Cormac McCarthy 的小说，2007获普利策奖并受到了奥普拉书会的推荐。 小说在2009年还被拍成同名电影（中文译名《路》《末日危途》）。
小说下载地址：
http://thepiratebay.org/torrent/6138278/Cormac_McCarthy_-_The_Road_[PDF]
电影下载地址：
http://thepiratebay.org/torrent/5431747/The_Road_(2009)_DVDRip_XviD-MAX
小说介绍：
Best known for his Border Trilogy, hailed in the San Francisco Chronicle as "an American classic to stand with the finest literary achievements of the century," Cormac McCarthy has written ten rich and often brutal novels, including last year's bestselling No 1 Country for Old Men, and this year's The Road.
Profoundly dark, told in spare, searing prose, The Road is a post-apocalyptic masterpiece, one of the best books we've read this year, but in case you need a second (and expert) opinion, we asked Dennis Lehane, author of equally rich, occasionally bleak and brutal novels, to read it and give us his take. Read his glowing review below. --Daphne Durham
Guest Reviewer: Dennis Lehane
Cormac McCarthy sets his new novel, The Road, in a post-apocalyptic blight of gray skies that drizzle ash, a world in which all matter of wildlife is extinct, starvation is not only prevalent but nearly all-encompassing, and marauding bands of cannibals roam the environment with pieces of human flesh stuck between their teeth. If this sounds oppressive and dispiriting, it is. McCarthy may have just set to paper the definitive vision of the world after nuclear war, and in this recent age of relentless saber-rattling by the global powers, it's not much of a leap to feel his vision could be not far off the mark nor, sadly, right around the corner. Stealing across this horrific (and that's the only word for it) landscape are an unnamed man and his emaciated son, a boy probably around the age of ten. It is the love the father feels for his son, a love as deep and acute as his grief, that could surprise readers of McCarthy's previous work. McCarthy's Gnostic impressions of mankind have left very little place for love. In fact that greatest love affair in any of his novels, I would argue, occurs between the Billy Parham and the wolf in The Crossing. But here the love of a desperate father for his sickly son transcends all else. McCarthy has always written about the battle between light and darkness; the darkness usually comprises 99.9% of the world, while any illumination is the weak shaft thrown by a penlight running low on batteries. In The Road, those batteries are almost out--the entire world is, quite literally, dying--so the final affirmation of hope in the novel's closing pages is all the more shocking and maybe all the more enduring as the boy takes all of his father's (and McCarthy's) rage at the hopeless folly of man and lays it down, lifting up, in its place, the oddest of all things: faith. --Dennis Lehane
电影介绍：
《路》讲述了一个发生在人类文明大毁灭后的寓言故事，幸存下来的一对父子穿过寒冷的城市废墟、荒无人烟的沙漠不断向南行走，希望到达温暖的海边，寻找到活下去的可能。寒冷、饥饿侵袭着他们，还有吃人的人。孩子的母亲不堪绝望，选择了自杀。不愿放弃的父亲，带着幼小的儿子，带着还没变质的罐头、油布以及只剩一颗子弹的手枪(父亲告诫儿子不能轻易使用子弹，如果遇到了危险就用仅存的一发子弹自杀)，向南方跋涉。一路上，父亲总是警惕避开可能有人的足迹，而幼年的儿子却常常寄望能遇上和他们一样的好人。父子俩终于到了期望中的海边，然而依然看不到任何生的希望。停留数日后，正准备继续前行父亲因为咳嗽严重加上腿部受伤，终于倒下。儿子带着父亲的遗言以及那把手枪，独自前行。最终被一个好人家庭收留，男孩被女主人搂在怀中。文学里女性是救赎者的意象，这个镜头，寓意着人类在此刻终于见到了生的希望。
1）The Man: Everything depends on reaching the coast. I told you I would do whatever it takes. 所有的一切都要等到我们到达海边后再做定夺，我一定要这么做。
Wife: Like what? Like what? 那又怎么样？有意义么？
2）The Boy: Are we gonna die? 我们会死么？
The Man: We are not gonna quit. We are gonna survive this. 我们不会放弃的，我们会活下来。
上面两段对话节选自在美国公映的冲奥影片The Road 《路》。三个人，四句话，便可感知本片架构以及内涵的厚重。
http://3us.enghunan.gov.cn/viewthread.php?tid=7526
