空
- 主题发起人 休假式治疗
- 开始时间
01：苹果定律
如果一堆苹果，有好有坏，你就应该先吃好的，把坏的扔掉，如果你先吃坏的，好的也会变坏，你将永远吃不到好的，人生亦如此。
02：快乐定律
遇事只要你往好处想你就会快乐，就像你如果掉进沟里，你都可以设想说不定刚好有一条鱼钻进你的口袋。
03：幸福定律
如果你不是总是在想自己是否是幸福的时候，你就幸福了。
04：错误定律
人人都会有过失，但只有在重复这些过失的时候，你才犯了错误。
05：沉默定律
在争辩的时候，最难辩倒的观点就是沉默。
06：动力定律
动力往往来源于两种原因，希望或绝望。
07：受辱定律
受辱时的唯一办法就是忽视它，不能忽视它，就藐视它，如果能藐视它也不能，你就只有受辱了。
08：愚蠢定律
愚蠢大多数是在手脚或嘴比大脑行动还快地时候产生的。
09：价值定律
当你拥有某一项东西的时候，你就会发现这种东西并不像你原来所想的那样有价值。
10：化妆定律
在化妆上所花的时间有多少，就表示你自认为要掩饰的缺点有多少。
11：省时定律
如果你一开始就想节省时间，结果是反而要多花数倍的时间。
12：承诺定律
承诺未必可以保证一定做到，但是如果你没有做出承诺，就算你做到了也没有价值。
13：地位定律
有人站在山脚下，而有人站在山顶上，虽然所处的位置不一样，在两人的眼里的对方却是同样大小。
14：混乱定律
如果你在遇上麻烦时，还是那样谨小慎微，那麻烦就会变成混乱。
15：失败定律
失败并不意味着浪费时间和生命，而往往意味着你可能更好地拥有时间和生命。
16：谈话定律
最使人厌烦的谈话有两种，一是从来不停下来想想，另一种是从来不想停下来。
17：误解定律
被某一个误解，麻烦并不大，被许多人误解了，麻烦就很大了。
18：结局定律
有一个可怕的结局，也比没有任何结局要好。
19：升迁定律
仕入官场，每升一级，人情味就减一份。
20：升值定律
出口转内销，就可以升值，连舆论都是这样。
21：游戏定律
无论你保龄球打得多“菜”，每次往都可能有一两次全中，令你满意，高兴的下次再来。
22：人生定律
拼命想得到的东西，都不是真正最需要的。
23：旅游定律
没有比记忆中更好的风景，所以最好不要故地重游。
24：金钱定律
它不是万能，但是没有它万万不能。
25：财务定律
支票总是姗姗来迟，而帐单总是提前来到。
26：备份定律：
学会用左手做一些事情，因为右手不是永远都管用。
27：会议定律
所有重要的决策都是在会议结束或午餐前最后五分钟完成。
28：危难定律
总是问题越复杂，期限就越短。
29：合作定律
一个人花一个小时可以做好的事情，两个人就要两个小时。
30：结合定律
不管干什么，总是有你希望的人和与你对立的人同你在一起。
如果一堆苹果，有好有坏，你就应该先吃好的，把坏的扔掉，如果你先吃坏的，好的也会变坏，你将永远吃不到好的，人生亦如此。
02：快乐定律
遇事只要你往好处想你就会快乐，就像你如果掉进沟里，你都可以设想说不定刚好有一条鱼钻进你的口袋。
03：幸福定律
如果你不是总是在想自己是否是幸福的时候，你就幸福了。
04：错误定律
人人都会有过失，但只有在重复这些过失的时候，你才犯了错误。
05：沉默定律
在争辩的时候，最难辩倒的观点就是沉默。
06：动力定律
动力往往来源于两种原因，希望或绝望。
07：受辱定律
受辱时的唯一办法就是忽视它，不能忽视它，就藐视它，如果能藐视它也不能，你就只有受辱了。
08：愚蠢定律
愚蠢大多数是在手脚或嘴比大脑行动还快地时候产生的。
09：价值定律
当你拥有某一项东西的时候，你就会发现这种东西并不像你原来所想的那样有价值。
10：化妆定律
在化妆上所花的时间有多少，就表示你自认为要掩饰的缺点有多少。
11：省时定律
如果你一开始就想节省时间，结果是反而要多花数倍的时间。
12：承诺定律
承诺未必可以保证一定做到，但是如果你没有做出承诺，就算你做到了也没有价值。
13：地位定律
有人站在山脚下，而有人站在山顶上，虽然所处的位置不一样，在两人的眼里的对方却是同样大小。
14：混乱定律
如果你在遇上麻烦时，还是那样谨小慎微，那麻烦就会变成混乱。
15：失败定律
失败并不意味着浪费时间和生命，而往往意味着你可能更好地拥有时间和生命。
16：谈话定律
最使人厌烦的谈话有两种，一是从来不停下来想想，另一种是从来不想停下来。
17：误解定律
被某一个误解，麻烦并不大，被许多人误解了，麻烦就很大了。
18：结局定律
有一个可怕的结局，也比没有任何结局要好。
19：升迁定律
仕入官场，每升一级，人情味就减一份。
20：升值定律
出口转内销，就可以升值，连舆论都是这样。
21：游戏定律
无论你保龄球打得多“菜”，每次往都可能有一两次全中，令你满意，高兴的下次再来。
22：人生定律
拼命想得到的东西，都不是真正最需要的。
23：旅游定律
没有比记忆中更好的风景，所以最好不要故地重游。
24：金钱定律
它不是万能，但是没有它万万不能。
25：财务定律
支票总是姗姗来迟，而帐单总是提前来到。
26：备份定律：
学会用左手做一些事情，因为右手不是永远都管用。
27：会议定律
所有重要的决策都是在会议结束或午餐前最后五分钟完成。
28：危难定律
总是问题越复杂，期限就越短。
29：合作定律
一个人花一个小时可以做好的事情，两个人就要两个小时。
30：结合定律
不管干什么，总是有你希望的人和与你对立的人同你在一起。
Unsinkable James Cameron refloats 'Titanic' in 3-D
By David Germain
AP Movie Writer / March 29, 2012
"Yes, it was hard, but no one ever said it was going to be easy," Winslet said. "When all the stories started emerging about how tough it had been and Jim Cameron being mean to everybody and costs over-running, I went, wait a minute, what makes these people think they can speculate about all of this? They weren't there.
"Yes, he lost his temper, but he only ever lost his temper for really, really good reasons. Like we would spend days literally setting up a shot, and if someone isn't doing his job and dumps water ten seconds too late, then we've got to start over. ... Yeah, I could understand that man getting a little (ticked) off."
Cameron's photo-realistic computer effects on "Titanic" helped propel Hollywood into the digital age, and he continued his innovations with the underwater 3-D documentaries "Ghosts of the Abyss" and "Aliens of the Deep."
It took 12 years for his next dramatic feature to hit theaters, the sci-fi sensation "Avatar," whose success turned the new novelty of digital 3-D into a frenzy for Hollywood. Studios hurtled into 3-D action shoots or, to the dismay of fans and critics, did hasty, ugly 3-D conversions of 2-D movies that gave the format a bad rap.
As "Avatar" set the standard for movies shot in 3-D, "Titanic" may raise the bar for movies converted from 2-D. Distributors 20th Century Fox and Paramount spent $18 million on the conversion and digital remastering, with Cameron overseeing a team of 300 people who spent 60 weeks on a frame-by-frame reconstruction to add the illusion of depth.
The results are dazzling, the images of the shipwreck now presented as though the audience is right there watching alongside.
Cameron had thought about a 3-D "Titanic" for the past decade and eventually settled on April's centennial of the 1912 shipwreck as the ideal time to re-release the film. It opens April 4, in advance of the April 14 anniversary.
In 2005, Cameron already was showing 3-D footage of the film to theater owners at a convention, where he and "Star Wars" creator George Lucas were among filmmakers pitching the notion of converting older movies.
"'Titanic's' a no-brainer," Cameron said. "It's a timeless film, it's visually sumptuous, it was shot in a way that's very conducive to 3-D. I've always been trying to do 3-D in a way, by moving the camera, by shooting with shorter lenses so you get deeper focus and you're more aware of the background. All these ways that you enhance it, even when you're shooting in 2-D. So the 3-D conversion actually brought all that out."
Hollywood became sold on the idea once millions of fans started shelling out a few extra dollars to see new blockbusters in 3-D. So far, a handful of older films have come out in digital 3-D versions, among them "The Lion King," which pulled in $94.2 million to raise its lifetime domestic haul to $423.2 million and Lucas' "Star Wars: Episode I -- The Phantom Menace," which added $43.1 million to lift its total to $474.2 million.
"Titanic" never played or barely showed in some big markets such as Russia and China, and fans now in their teens have only had a chance to see it on small screens, Cameron said. That gives it a good prospect to narrow some of the billion-dollar gap between its worldwide gross and that of "Avatar."
"It only needs to make, worldwide, $160 million to break the $2 billion mark, of which there would only be two films in that club at that point. Mine and mine," Cameron said, laughing. (In fairness to older flicks, such hits as "Gone with the Wind," "The Sound of Music" and "Star Wars" would have made more money than "Avatar" or "Titanic," adjusted for inflation.)
"The goal here is not about making money with `Titanic.' The goal is to put the film back into cinemas so that people that either loved it back then and haven't had a chance to see it in a movie theater since can go see it. Or people who only know it from video can see it for the first time on a theater screen. I don't make movies for iPhones or tablets. I like to think that there's still a sanctity in the cinema experience."
------
[media]http://www.youtube.com/watch?v=njZxbRznEuY[/media]
[media]http://www.youtube.com/watch?v=BsyMoy04Rvw[/media]
By David Germain
AP Movie Writer / March 29, 2012
"Yes, it was hard, but no one ever said it was going to be easy," Winslet said. "When all the stories started emerging about how tough it had been and Jim Cameron being mean to everybody and costs over-running, I went, wait a minute, what makes these people think they can speculate about all of this? They weren't there.
"Yes, he lost his temper, but he only ever lost his temper for really, really good reasons. Like we would spend days literally setting up a shot, and if someone isn't doing his job and dumps water ten seconds too late, then we've got to start over. ... Yeah, I could understand that man getting a little (ticked) off."
Cameron's photo-realistic computer effects on "Titanic" helped propel Hollywood into the digital age, and he continued his innovations with the underwater 3-D documentaries "Ghosts of the Abyss" and "Aliens of the Deep."
It took 12 years for his next dramatic feature to hit theaters, the sci-fi sensation "Avatar," whose success turned the new novelty of digital 3-D into a frenzy for Hollywood. Studios hurtled into 3-D action shoots or, to the dismay of fans and critics, did hasty, ugly 3-D conversions of 2-D movies that gave the format a bad rap.
As "Avatar" set the standard for movies shot in 3-D, "Titanic" may raise the bar for movies converted from 2-D. Distributors 20th Century Fox and Paramount spent $18 million on the conversion and digital remastering, with Cameron overseeing a team of 300 people who spent 60 weeks on a frame-by-frame reconstruction to add the illusion of depth.
The results are dazzling, the images of the shipwreck now presented as though the audience is right there watching alongside.
Cameron had thought about a 3-D "Titanic" for the past decade and eventually settled on April's centennial of the 1912 shipwreck as the ideal time to re-release the film. It opens April 4, in advance of the April 14 anniversary.
In 2005, Cameron already was showing 3-D footage of the film to theater owners at a convention, where he and "Star Wars" creator George Lucas were among filmmakers pitching the notion of converting older movies.
"'Titanic's' a no-brainer," Cameron said. "It's a timeless film, it's visually sumptuous, it was shot in a way that's very conducive to 3-D. I've always been trying to do 3-D in a way, by moving the camera, by shooting with shorter lenses so you get deeper focus and you're more aware of the background. All these ways that you enhance it, even when you're shooting in 2-D. So the 3-D conversion actually brought all that out."
Hollywood became sold on the idea once millions of fans started shelling out a few extra dollars to see new blockbusters in 3-D. So far, a handful of older films have come out in digital 3-D versions, among them "The Lion King," which pulled in $94.2 million to raise its lifetime domestic haul to $423.2 million and Lucas' "Star Wars: Episode I -- The Phantom Menace," which added $43.1 million to lift its total to $474.2 million.
"Titanic" never played or barely showed in some big markets such as Russia and China, and fans now in their teens have only had a chance to see it on small screens, Cameron said. That gives it a good prospect to narrow some of the billion-dollar gap between its worldwide gross and that of "Avatar."
"It only needs to make, worldwide, $160 million to break the $2 billion mark, of which there would only be two films in that club at that point. Mine and mine," Cameron said, laughing. (In fairness to older flicks, such hits as "Gone with the Wind," "The Sound of Music" and "Star Wars" would have made more money than "Avatar" or "Titanic," adjusted for inflation.)
"The goal here is not about making money with `Titanic.' The goal is to put the film back into cinemas so that people that either loved it back then and haven't had a chance to see it in a movie theater since can go see it. Or people who only know it from video can see it for the first time on a theater screen. I don't make movies for iPhones or tablets. I like to think that there's still a sanctity in the cinema experience."
------
[ame="http://www.youtube.com/watch?v=6wqhhuHHPb8&feature=related"]Titanic 3D: Relive The Emotion - YouTube[/ame]
[media]http://www.youtube.com/watch?v=njZxbRznEuY[/media]
[media]http://www.youtube.com/watch?v=BsyMoy04Rvw[/media]
附件
Music from my favorite movie "A walk in the clouds".
[ame="http://www.youtube.com/watch?v=16xb6_dnNxM&feature=related"]Si me llamas Amor - YouTube[/ame]
Nice quotes from the movie:
Don Pedro Aragon:“Everybody gives you advice on how to grow old and the doctors, they say, no chocolate, no salt and no cigars and little Brandy as possible！ What the hell do the doctors know about the needs of a man’s soul? Nothing！”
Pedro Aragon: Talking between men and women never solves anything. Where we think, they feel. They are creatures of the heart.
Guadalupe Aragon: You must see it through. Your fate. What brought you here.
Paul: I know that she is good and strong and deserves all the love this world has to give. Can't you see that, how wonderful, how special she is?
Don Pedro Aragon: Clothes are like family. You have to live in them for awhile before you have the perfect fit. But you are doing great.
Paul: I don't know if everyone would share your opinion.
Don Pedro Aragon: Well, it's not easy being in charge. It's not easy for me. It's not easy for him. Every man has to find his own way. But I have faith in my son. And I have faith in you. But your fly is open.
[ame="http://www.youtube.com/watch?v=16xb6_dnNxM&feature=related"]Si me llamas Amor - YouTube[/ame]
Nice quotes from the movie:
Don Pedro Aragon:“Everybody gives you advice on how to grow old and the doctors, they say, no chocolate, no salt and no cigars and little Brandy as possible！ What the hell do the doctors know about the needs of a man’s soul? Nothing！”
Pedro Aragon: Talking between men and women never solves anything. Where we think, they feel. They are creatures of the heart.
Guadalupe Aragon: You must see it through. Your fate. What brought you here.
Paul: I know that she is good and strong and deserves all the love this world has to give. Can't you see that, how wonderful, how special she is?
Don Pedro Aragon: Clothes are like family. You have to live in them for awhile before you have the perfect fit. But you are doing great.
Paul: I don't know if everyone would share your opinion.
Don Pedro Aragon: Well, it's not easy being in charge. It's not easy for me. It's not easy for him. Every man has to find his own way. But I have faith in my son. And I have faith in you. But your fly is open.
