快乐兔进来, 茉莉也来看看

译:作者应该从写作的乐趣中,从郁积在他心头的思想的发泄中取得写书的酬报;对于其他一切都不应该介意,作品成功或失败,收到称誉或是诋毁,他都应该淡然处之!:cool:

让灵魂释放,无它~

毛姆也是一个理想主义色彩浓厚的人。

现实里,人们不得不为生存奔波。能够真正做到对其他一切不在意的,比如说钱,要么是家境优裕,不用去为了谋生而操心,比如像村上春树,要么是没有别的生活技能,就像梵高,想挣钱也没有办法。

而绝大多数人是无法不应付生活的。记得看过庐隐的传记,她因为生孩子,没钱去医院,只能随便找个接生婆,结果被接生婆把子宫刺穿,大流血而死,死的时候才三十几岁。假如庐隐有钱的话,她就不会死去,就会留下更多更好的作品。

事实上,很多好作品也是因为外在的酬劳的动力才产生的,莫扎特要不是因为需要挣钱,他也不会写下那么多歌剧和其他音乐作品。金庸要不是为了维持他的报纸的销路,也不会写出那么多那么好的武侠在上面连载。
 
毛姆也是一个理想主义色彩浓厚的人。

现实里,人们不得不为生存奔波。能够真正做到对其他一切不在意的,比如说钱,要么是家境优裕,不用去为了谋生而操心,比如像村上春树,要么是没有别的生活技能,就像梵高,想挣钱也没有办法。

而绝大多数人是无法不应付生活的。记得看过庐隐的传记,她因为生孩子,没钱去医院,只能随便找个接生婆,结果被接生婆把子宫刺穿,大流血而死,死的时候才三十几岁。假如庐隐有钱的话,她就不会死去,就会留下更多更好的作品。

事实上,很多好作品也是因为外在的酬劳的动力才产生的,莫扎特要不是因为需要挣钱,他也不会写下那么多歌剧和其他音乐作品。金庸要不是为了维持他的报纸的销路,也不会写出那么多那么好的武侠在上面连载。

我觉得为生活所需去奔波是一回事,心理的高度和认识是另一回事。比如象你之前说的,流年的春秋的事情,虽然不了解,但是感觉如果心理上能有这种认识,也许就会有其他结果。

也不是说要跟创作死磕,该过日子还是要过的,甚至让自己过的好点也挺好的,但是心里的那种精神气不能改不能丢。
 
鼓励下兔子

发放快乐兔CFC币5000,兔子最近的几个楼给大家带来了很多乐趣,以示敬礼!

SORRY数目不多,我最近外面欠了一屁股债。。。。。等我还清债了,再多给你发点私房奖励!:p

谢谢版主,要是知道精灵今个儿生病,就改日子讨债了;););)

只要比如歌多就行,谁说蓝营不吃醋呢。:D:D:D:D
 
谢谢版主,要是知道精灵今个儿生病,就改日子讨债了;););)

只要比如歌多就行,谁说蓝营不吃醋呢。:D:D:D:D

前后总共给你7000了吧,比他多了:p看来将来要是格格偏心,你的醋得淹没原创了,呵呵
 
我觉得如歌比我的水平高多了,他负责主译,我帮忙打字还成:p

精灵你谦虚了。那句话亏你提醒,要不我第一感觉断句有问题。。。

我就负责贴。点评,翻译,执笔都是你的事儿 。。。:D:D:D
 
精灵你谦虚了。那句话亏你提醒,要不我第一感觉断句有问题。。。

我就负责贴。点评,翻译,执笔都是你的事儿 。。。:D:D:D

。。。。真不是谦虚,你查经据典的水平又快又高,做RESEARCH的能力强啊!我只能跟在后面动动脑子。其实今儿脑子也不好使,有点发烧烧糊涂了。。。

正好顺道声明下,今儿我说话如果胡说八道了,大家谁也见怪不怪哈。打病假条~~
 
我觉得为生活所需去奔波是一回事,心理的高度和认识是另一回事。比如象你之前说的,流年的春秋的事情,虽然不了解,但是感觉如果心理上能有这种认识,也许就会有其他结果。

也不是说要跟创作死磕,该过日子还是要过的,甚至让自己过的好点也挺好的,但是心里的那种精神气不能改不能丢

这种蔑视一切,对别人的诽谤和赞誉豪不在乎的精神气,就像有人说的:
“尼采说,有些人需要死后才能出生。这对一个写作者而言,需要多大的勇气。也有可能,更多的时候,有很多人死了,而且死了很多年,仍然找不到属于自己的读者。他们是真正的无名英雄。向那些历史上无名的英雄致敬。写作只为拯救自己。文字写出来,就业已完成它的使命。”
 
Chapter III

But all this is by the way.

I was very young when I wrote my first book. By a lucky chance it excited attention, and various persons sought my acquaintance.

It is not without melancholy that I wander among my recollections of the world of letters in London when first, bashful but eager, I was introduced to it. It is long since I frequented it, and if the novels that describe its present singularities are accurate much in it is now changed. The venue is different. Chelsea and Bloomsbury have taken the place of Hampstead, Notting Hill Gate, and High Street, Kensington. Then it was a distinction to be under forty, but now to be more than twenty-five is absurd. I think in those days we were a little shy of our emotions, and the fear of ridicule tempered the more obvious forms of pretentiousness. I do not believe that there was in that genteel Bohemia an intensive culture of chastity, but I do not remember so crude a promiscuity as seems to be practised in the present day. We did not think it hypocritical to draw over our vagaries the curtain of a decent silence. The spade was not invariably called a bloody shovel. Woman had not yet altogether come into her own.

I lived near Victoria Station, and I recall long excursions by bus to the hospitable houses of the literary. In my timidity I wandered up and down the street while I screwed up my courage to ring the bell; and then, sick with apprehension, was ushered into an airless room full of people. I was introduced to this celebrated person after that one, and the kind words they said about my book made me excessively uncomfortable. I felt they expected me to say clever things, and I never could think of any till after the party was over. I tried to conceal my embarrassment by handing round cups of tea and rather ill-cut bread-and-butter. I wanted no one to take notice of me, so that I could observe these famous creatures at my ease and listen to the clever things they said.

I have a recollection of large, unbending women with great noses and rapacious eyes, who wore their clothes as though they were armour; and of little, mouse-like spinsters, with soft voices and a shrewd glance. I never ceased to be fascinated by their persistence in eating buttered toast with their gloves on, and I observed with admiration the unconcern with which they wiped their fingers on their chair when they thought no one was looking. It must have been bad for the furniture, but I suppose the hostess took her revenge on the furniture of her friends when, in turn, she visited them. Some of them were dressed fashionably, and they said they couldn't for the life of them see why you should be dowdy just because you had written a novel; if you had a neat figure you might as well make the most of it, and a smart shoe on a small foot had never prevented an editor from taking your "stuff." But others thought this frivolous, and they wore "art fabrics" and barbaric jewelry. The men were seldom eccentric in appearance. They tried to look as little like authors as possible. They wished to be taken for men of the world, and could have passed anywhere for the managing clerks of a city firm. They always seemed a little tired. I had never known writers before, and I found them very strange, but I do not think they ever seemed to me quite real.

I remember that I thought their conversation brilliant, and I used to listen with astonishment to the stinging humour with which they would tear a brother-author to pieces the moment that his back was turned. The artist has this advantage over the rest of the world, that his friends offer not only their appearance and their character to his satire, but also their work. I despaired of ever expressing myself with such aptness or with such fluency. In those days conversation was still cultivated as an art; a neat repartee was more highly valued than the crackling of thorns under a pot; and the epigram, not yet a mechanical appliance by which the dull may achieve a semblance of wit, gave sprightliness to the small talk of the urbane. It is sad that I can remember nothing of all this scintillation. But I think the conversation never settled down so comfortably as when it turned to the details of the trade which was the other side of the art we practised. When we had done discussing the merits of the latest book, it was natural to wonder how many copies had been sold, what advance the author had received, and how much he was likely to make out of it. Then we would speak of this publisher and of that, comparing the generosity of one with the meanness of another; we would argue whether it was better to go to one who gave handsome royalties or to another who "pushed" a book for all it was worth. Some advertised badly and some well. Some were modern and some were old-fashioned. Then we would talk of agents and the offers they had obtained for us; of editors and the sort of contributions they welcomed, how much they paid a thousand, and whether they paid promptly or otherwise. To me it was all very romantic. It gave me an intimate sense of being a member of some mystic brotherhood.
 
先把这个贴了。大家先看着。我要忙一会儿。夜里再贴一回。
 
读完,签字

I felt they expected me to say clever things, and I never could think of any till after the party was over.

呵呵,好可怜的娃娃
 
读完,签字

太牛了,俺没吃xx辣椒酱,也读出一脑门子的汗,太多不认识的字了。。。
精灵,你英语专业的吧。如哥,你GRE满分吧。。。。
牛人啊。。。
俺,哆哆嗦嗦地,也算读完了吧,生字就不查了,当枣吞了。。。
 
太牛了,俺没吃xx辣椒酱,也读出一脑门子的汗,太多不认识的字了。。。
精灵,你英语专业的吧。如哥,你GRE满分吧。。。。
牛人啊。。。
俺,哆哆嗦嗦地,也算读完了吧,生字就不查了,当枣吞了。。。

别啊,我也用ONLINE字典的呀,而且我还有个便利,就是我手头有中文书呀,有些句子理不顺的,有翻译可以参考呀。

你要是需要哪句的翻译,告诉我,我打给你看:p
 
Chapter IV

No one was kinder to me at that time than Rose Waterford. She combined a masculine intelligence with a feminine perversity, and the novels she wrote were original and disconcerting. It was at her house one day that I met Charles Strickland's wife. Miss Waterford was giving a tea-party, and her small room was more than usually full. Everyone seemed to be talking, and I, sitting in silence, felt awkward; but I was too shy to break into any of the groups that seemed absorbed in their own affairs. Miss Waterford was a good hostess, and seeing my embarrassment came up to me.

"I want you to talk to Mrs. Strickland," she said. "She's raving about your book."

"What does she do?" I asked.

I was conscious of my ignorance, and if Mrs. Strickland was a well-known writer I thought it as well to ascertain the fact before I spoke to her.

Rose Waterford cast down her eyes demurely to give greater effect to her reply.

"She gives luncheon-parties. You've only got to roar a little, and she'll ask you."

Rose Waterford was a cynic. She looked upon life as an opportunity for writing novels and the public as her raw material. Now and then she invited members of it to her house if they showed an appreciation of her talent and entertained with proper lavishness. She held their weakness for lions in good-humoured contempt, but played to them her part of the distinguished woman of letters with decorum.

I was led up to Mrs. Strickland, and for ten minutes we talked together. I noticed nothing about her except that she had a pleasant voice. She had a flat in Westminster, overlooking the unfinished cathedral, and because we lived in the same neighbourhood we felt friendly disposed to one another. The Army and Navy Stores are a bond of union between all who dwell between the river and St. James's Park. Mrs. Strickland asked me for my address, and a few days later I received an invitation to luncheon.

My engagements were few, and I was glad to accept. When I arrived, a little late, because in my fear of being too early I had walked three times round the cathedral, I found the party already complete. Miss Waterford was there and Mrs. Jay, Richard Twining and George Road. We were all writers. It was a fine day, early in spring, and we were in a good humour. We talked about a hundred things. Miss Waterford, torn between the aestheticism of her early youth, when she used to go to parties in sage green, holding a daffodil, and the flippancy of her maturer years, which tended to high heels and Paris frocks, wore a new hat. It put her in high spirits. I had never heard her more malicious about our common friends. Mrs. Jay, aware that impropriety is the soul of wit, made observations in tones hardly above a whisper that might well have tinged the snowy tablecloth with a rosy hue. Richard Twining bubbled over with quaint absurdities, and George Road, conscious that he need not exhibit a brilliancy which was almost a by-word, opened his mouth only to put food into it. Mrs. Strickland did not talk much, but she had a pleasant gift for keeping the conversation general; and when there was a pause she threw in just the right remark to set it going once more. She was a woman of thirty-seven, rather tall and plump, without being fat; she was not pretty, but her face was pleasing, chiefly, perhaps, on account of her kind brown eyes. Her skin was rather sallow. Her dark hair was elaborately dressed. She was the only woman of the three whose face was free of make-up, and by contrast with the others she seemed simple and unaffected.

The dining-room was in the good taste of the period. It was very severe. There was a high dado of white wood and a green paper on which were etchings by Whistler in neat black frames. The green curtains with their peacock design, hung in straight lines, and the green carpet, in the pattern of which pale rabbits frolicked among leafy trees, suggested the influence of William Morris. There was blue delft on the chimney-piece. At that time there must have been five hundred dining-rooms in London decorated in exactly the same manner. It was chaste, artistic, and dull.

When we left I walked away with Miss Waterford, and the fine day and her new hat persuaded us to saunter through the Park.

"That was a very nice party," I said.

"Did you think the food was good? I told her that if she wanted writers she must feed them well."

"Admirable advice," I answered. "But why does she want them?"

Miss Waterford shrugged her shoulders.

"She finds them amusing. She wants to be in the movement. I fancy she's rather simple, poor dear, and she thinks we're all wonderful. After all, it pleases her to ask us to luncheon, and it doesn't hurt us. I like her for it."

Looking back, I think that Mrs. Strickland was the most harmless of all the lion-hunters that pursue their quarry from the rarefied heights of Hampstead to the nethermost studios of Cheyne Walk. She had led a very quiet youth in the country, and the books that came down from Mudie's Library brought with them not only their own romance, but the romance of London. She had a real passion for reading (rare in her kind, who for the most part are more interested in the author than in his book, in the painter than in his pictures), and she invented a world of the imagination in which she lived with a freedom she never acquired in the world of every day. When she came to know writers it was like adventuring upon a stage which till then she had known only from the other side of the footlights. She saw them dramatically, and really seemed herself to live a larger life because she entertained them and visited them in their fastnesses. She accepted the rules with which they played the game of life as valid for them, but never for a moment thought of regulating her own conduct in accordance with them. Their moral eccentricities, like their oddities of dress, their wild theories and paradoxes, were an entertainment which amused her, but had not the slightest influence on her convictions.

"Is there a Mr. Strickland?" I asked

"Oh yes; he's something in the city. I believe he's a stockbroker. He's very dull."

"Are they good friends?"

"They adore one another. You'll meet him if you dine there. But she doesn't often have people to dinner. He's very quiet. He's not in the least interested in literature or the arts."

"Why do nice women marry dull men?"

"Because intelligent men won't marry nice women."

I could not think of any retort to this, so I asked if Mrs. Strickland had children.

"Yes; she has a boy and a girl. They're both at school."

The subject was exhausted, and we began to talk of other things.
 
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